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Not bad.  Aside from a weak theme song, the by-now-overused plot of Bond going rogue, and a dragged out ending (that otherwise sets up a sequel), the latest James Bond 007 film Spectre, currently out in theatres, is an exciting, well shot and directed film.  Daniel Craig's fourth outing as 007 features his most relaxed and confident performance to date. He's even cracking jokes! 

I'll have more to say about it when the library gets the DVD, but in the meantime, if you're a 007 fan like me, you'll enjoy watching this film!

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The new James Bond 007 thriller SPECTRE hit theatres in the US today after having been released a week earlier in Europe and looks to be another big international hit.  But where did S.P.E.C.T.R.E. (yes, it's actually an acronym, at least in Ian Fleming's Bond novels) first appear?


Horrors On Hoopla!

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Halloween's almost here and Greenwich Library's  DVD collection of horror films is already bare.  But if you have a PC or iPad (an iPhone would work too, although it's murder on the eyes), you can download some classic and not so classic -but still fun- genre thrillers from our Hoopla page. 


After having read the last attempt to resurrect Ian Fleming's James Bond 007 in literary form by another author, I was convinced the secret agent's life in prose was over and done. Happily, Anthony Horowitz's Trigger Mortis (click here to reserve a copy) made me realize there can be an author who "gets" 007 as Fleming portrayed him. 

In fact, Fleming, via an unused outline he worked on for a potential 007 TV series in the late fifties that was used as a starting point for Horowitz, is partly responsible for the way Trigger Mortis (it's a technical term used by NASA that figures into the plot) turned out.  Set in 1957, directly after the events of Fleming's Goldfinger novel, Mortis finds Bond wondering what to do with the previous mission's heroine, Pussy Galore, when his boss M promptly gives him a new assignment.

Lancy Smith, a world famous British race car driver (loosely based on real life racing champ Sterling Moss) has been targeted by SMERSH, the covert Soviet  assassination and terrorist organization, for death.  Bond is assigned to protect Smith while they both compete in the Grand Prix.  But while keeping his eyes and ears open for possible threats, Bond discovers that SMERSH also is in league with  the mysterious Korean-American millionaire businessman Jason Sin. Apparently Sin is targeting America's space program, but what's his plan? 

With the initially reluctant help of a female "writer" named Jeopardy Lane, Bond quickly discovers that more than just the American space program is in danger.  But can he and Jeopardy stop Sin in time?!?

I can't give away anything more.  Trigger Mortis is a nonstop thrill ride from start to finish.  Horowitz captures Fleming's literary voice much better than others (I was always sorry the late but otherwise excellent thriller writer John Gardner was unable to write a really good, exciting Bond novel back in the 80s), as well as giving a good sense of historical perspective. The nasty Sin may invoke some memories of Bond's previous foe, Doctor No, however, and the cultural biases (which include ethnic slurs) that Bond and Fleming had back in those days are still present, which may make present day readers uncomfortable. 

If you can overlook the attitudes that characterized guys like Bond back then (and who'd ever thought the previously homophobic 007 actually had a gay friend, as seen in this new novel), you'll enjoy Trigger Mortis!  Recommended, and here's hoping Horowitz gets to do another Bond installment. 

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The Spy Command is a blog devoted to Ian Fleming's James Bond 007 and "The Other Spies".  It cover new and past spy films, TV shows & books, and it's recent coverage has been on the upcoming Bond film SPECTRE and last August's Man From UNCLE film (which I liked BTW). Check out the SC by clicking here.

Speaking of Bond, I'm working my way through Anthony Horowitz's 007 pastiche, Trigger Mortis, and hope to have a review up next week.  So far, it's much better than the last Bond novel by somebody who's not Ian Fleming.

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"Mad Max: Fury Road" (2015)

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Director/co screenwriter George Miller brings back his Max Rockatansky character (previously played by Mel Gibson in three films between 1979-1985) for another go-around in last summer's  hit film Mad Max: Fury Road, now available on DVD.  (Click here to reserve our copy.)


If you haven't, here's your chance:

The film opens in the US on November 6th.

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YOLT2015.pngHere's the original trailer for 1967's You Only Live Twice, which we'll be showing on Thursday July 16 at 6:30 PM!  Check it out!

And here's my 2009 review of the film. Agree? Disagree? Comments are welcome.

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R.I.P. Christopher Lee

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The last of the classic horror movie stars that I grew up watching in movies, Sir Christopher Lee, passed away on June 7th.  Along with Bela Lugosi, Boris Karloff, Vincent Price and Peter Cushing, Lee was a true horror/fantasy film genre star. His performances as Frankenstein's monster, Fu Manchu, the Mummy, Saruman, Sherlock (and Mycroft) Holmes, and of course, Dracula,  made him well known and liked by movie fans everywhere.  And that terrific voice! 

Greenwich Library carries about a fraction of Lee's film work (possibly 250 movies altogether!) in our collection, but the ones we do carry are worth checking out.   Some suggested titles include the following:

The Curse of Frankenstein (1957):  Lee's first major horror role, opposite frequent co star Peter Cushing as an arrogant Baron Frankenstein.  Both actors give great performances, with Lee turning in a subtle turn without using dialogue as the monster. Here's my 2010 review.  Available as part of a horror double feature DVD set with Lee's Taste the Blood of Dracula (1970), which is just okay. 

The Hound of the Baskervilles (1959; available on Hoopla from us): Fun, atmospheric remake with Cushing's Sherlock Holmes trying to protect Sir Henry Baskerville (Lee) from a family curse.  

The Two Faces of Dr. Jekyll (1960),  Scream of Fear (1961), and The Gorgon (1964) all feature strong supporting turns by Lee.  Here's my 2009 review of all three.

Dracula, Prince of Darkness (1966):  Lee's second go around as Bram Stoker's undead Count.  Available in this collection from us. 

Count Dracula (1970; available on Hoopla): Lee teamed up with Spanish cult film director Jesus Franco and co-stars Herbert Lom and Klaus  Kinski in what was supposed to be a more faithful adaptation of Stoker's character.  Despite poor staging and an obvious low budget, Lee rises above the mess. 

Lee (dubbed by another actor!) had played  Sherlock Holmes in the German made Sherlock Holmes and the Deadly Necklace (1962) but that film is currently unavailable.  However, Lee returned to the Holmes universe as the detective's brother, Mycroft, in director Billy Wilder's The Private Life of Sherlock Holmes (1970; available on Hoopla), an affectionate take on the title character. 

Horror Express (1972);  Lee in a rare and solid turn as a heroic lead alongside Cushing.  The film's not bad either.

The Man with the Golden Gun (1974): Lee's title assassin goes after James Bond 007 (Roger Moore).  Some good moments -the two stars are fine-, but the emphasis on comedy over suspense hurts the film.

These films, and others starring Lee, can be found on the library's online catalogue here.  And if you want us to get more of his films, go here

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Back in September I reviewed the first volume of IDW's Batman:  The Silver Age Newspaper Comics, which covered the strip's first two years (1966-67).  Now IDW has put out Volume Two, which covers the Batman newspaper comic strip from January 1, 1968 to May 31, 1969. Click here to reserve our copy.

Picking up the "Shivering Blue Max" storyline from the last volume, writer Whitney Ellsworth and artist Joe Giella tie up loose ends with a massive (for a newspaper strip) body count.  Giella is then replaced by former Superman artist Al Plastino, who takes over the penciling and inking of the strip, with some help from then current Superman artist Curt Swan (check out panel 2 of the July 30th 1968 strip; I'd swear that head shot was drawn by Swan).  And sure enough, who should guest star alongside Batman and Robin in Plastino's first storyline ("Diabolical Professor Zinkk", which ran March 18-August 6, 1968) but Superman himself, who gets the Caped Crusaders to help him find out who's been stealing his powers.

Another DC Comics superhero, Aquaman, makes appearances in two storylines, a brief one in the aforementioned "Zinkk" continuity, and "Breathing Underwater" (August 7-December 15, 1968), where Batman, without Robin (who seems to be getting phased out of the strip at this time), must aid a scientist's daughter against an underwater smuggling ring. That's followed by "I Want Bruce Wayne's Identity!" (December 15, 1968-May 30, 1969), a suspenseful entry where Batman, as Bruce Wayne, gets amnesia, and winds up being replaced by a sinister lookalike and his gang, with only a suspicious Batgirl to help him. 

Ellsworth's scripts, while sometimes emulating the style of the 60's Batman TV series (which went off the air in March, 1968), are pretty good.  The Superman/Professor Zinkk storyline is the best, with genuine tension and some welcome humor.  Ellsworth's not afraid to dispatch various characters if he has to; lots of villains end up usually dead by the climax of each story. Plastino's style hues closer to the work of then current Batman comic book artists Irv Novick and Bob Brown (both of whom were inked by Joe Giella), but is otherwise solid and compelling.

Volume Two ends with the start of a new storyline involving a mysterious woman with designs on Bruce Wayne.  How will that end up?  Guess we'll have to wait for Volume Three to find out! 

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This page is an archive of recent entries in the Science Fiction, Fantasy & Horror category.

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